LOVELIGHT
Magazine
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February 2007*** Vol. 4, no. 2
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Managing Editors: Richard Shining Thunder Francis and Adamaria Francis
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Contributors to this issue: Loretta Carrier, Chris Finer, Mark Franzen, Brenda Lee, Debbie Lucas, Steven McDaniel, Kathy Rice, Ty Scharrer
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LOVELIGHT MAGAZINE:
WHAT WE'RE ALL ABOUT
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But life is not all laughs. So, we hope also to share with you some
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This is published as a "light" introduction to spirituality. It is designed especially for those who have little or no interest in the "heavier" aspects. And it is also great, fun reading. A collection of magazines is produced once a year, and would make a sweet gift for a loved one. Happy reading!:)
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THE ABRAHAM MATERIAL: AN ANALYSIS: PART II
Like so many who are going for effect rather than content, Esther
[Hicks, the "channeler"] almost never uses contractions. What superbeing would be incapable of
mastering ÒdonÕtÓ for Ôdo notÓ? In
fact, most of her language is purposely stilted and contrived, as if an
extradimensional superbeing could not quite master perfect or smooth, utterly
fluent, English. Of course, any
genuine superbeing could speak perfect English, without any accent. Her accent, to the aware, only makes
her sound silly, and exposes her falsehood. This is done, of course, to give an artificial air of
exoticity to her speaking. So, it
is obvious to any thinking person that the ÒaccentÓ is just a part of the Òact.Ó But Esther exchanges the authentic for
the exotic. (After all, she really
wants her listeners to believe that they are listening, not to her, but to
Òsomeone else.Ó) But there is no
conceivable reason why a super-entity would speak with an accent!
Also, when asked a serious question by a sincere seeker, ÒWhy do you do
the work that you do?Ó she replied flippantly, ÒBecause we want to.Ó Hardly a respectful, thorough, or
reasonable answer.
Like almost all Òchanneled entities,Ó Esther calls herself, rather
pretentiously, ÒweÓ when speaking.
Sometimes, she speaks haltingly, with repetitions and redundancies, as
if certainty were absent. The
material is described with hopeless genericity as Òan introduction of
nonphysical to physical.Ó While
such statements tend to wow neophytes, they are actually so vague as to be
meaningless. Oddly, although
ÒtheyÓ claim to be a plurality (ÒweÓ and ÒusÓ), at one point, Esther makes a
grammatical error and refers to Òourself,Ó which, by the way, is not a word.
This material is filled with all the usual metaphysical clichŽs-- each
stated as if it were a brand-new discovery. EsterÕs husband stands by and makes encouraging and
appropriate Òuh-huhÓ sounds. The
material is peppered with dull commonplaces, such as, ÒThere are many of us here in the nonphysical
dimension.Ó
In
primitive, uneducated societies, the most ordinary things-- cd-players-- are
mistaken for Òmagic,Ó and those who bring them are seen as Ògods.Ó So it is spiritually. Beginners are quick to recognize any
Òchanneled entityÓ as a Òteacher,Ó assuming that it has greater wisdom. This is not always the case. Someone once quipped of Souls in the
afterlife, ÒJust because theyÕre dead doesnÕt mean theyÕre smart.Ó The same is true for Òentities.Ó
When Esther speaks, even in coming up with the most ordinary platitudes,
the monologue is punctuated with distracting hesitations. Near the beginning of the material is
an interesting admission, when Esther says, ÒWe cannot teach you.Ó Did a subconscious admission slip out
that she does not feel qualified to teach?
But if she does not teach effectively-- and she does not-- what does she
do? She claims to Òstimulate...
your wanting.Ó As this, when
amplified, becomes ordinary greed, and as it is anti-enlightenment, it is not
ÒspiritualÓ at all. This
Òprosperity consciousnessÓ masks itself as metaphysics, but is used by many to
defend selfishness and greed. It
is much easier to justify behavior than to change it. The last thing that well-to-do Americans (most of her
audience) need is more Òwanting.Ó
Esther describes herself and husband Jerry as Òwondrous beings,Ó laying
the foundation for the ego-admiration that marks every shabby and tawdry
cult. She does not hesitate to
claim outrageously that she, a rather ordinary-looking woman-- is a Òperfectly
blendedÓ being. Jerry, her
cheerleader, chimes in with a ÒYes!Ó
He describes her ordinary and confused teachings as Òabsolutely spectacular.Ó Humility clearly will not be allowed to
block the ego here! (When Esther
spoke of Òblend,Ó she abused a word from mysticism that refers to ÒblendingÓ of
mind, Soul, and Spirit.) Clearly,
the process is riddled with ego-contamination. It is safe to say that humility, which always marks a true
spiritual teacher, is completely absent.
People, she says, can become the
ÒdeliberateÓ creators of their lives.
People are encouraged to Òintentionally be the Creator.Ó The words ÒdeliberateÓ and
ÒintentionallyÓ make it plain that the conscious mind is trying to take over
the world. This stands in stark
opposition to the mystical Way of Òlet go and let God.Ó It is the principle of counterflow,
resisting the Flow. It is the
selfish and insecure ego, again trying to grab control of the cosmos, to
control, direct, and run everything the way that you want it to be. It is the complete opposite, and
absence, of faith.
This is the recycled and time-worn fantasy, so attractive to the
insecure ego, that the ego can control everything. This is a major metaphysical mistake, and has ruined many
minds and lives. In psychology,
this childlike belief is called Òmagical thinking,Ó and prevents real spiritual
growth. Most people outgrow it by age six. Esther goes so far as to recommend that you live as if you
already are what you want to be.
This is perilous advice, if you have only fifty bucks, and rush out to
buy a new car-- or new house!
Again, the ego rears its ugly head (in the life, as well as the
teaching): Esther describes her
teaching as Ògreat and glorious guidance.Ó From the viewpoint of ordinary metaphysics, it is not
Ògreat,Ó and contains nothing new; from the view of ordinary philosophy, it is
far from Òglorious.Ó Only those
who have been misled will tend to see the rehashed ideas as even having any
value at all.
Esther has an annoying habit of speaking condescendingly, continually
repeating the phrase, ÒYou see...Ó
This gives her an air of superiority, and it is probably designed to do
so. She also goes the extra mile
to give a quirky sound to her words, as in saying, ÒIt matters not,Ó when, ÒIt
doesnÕt matterÓ would be more natural.
She uses (and misuses) the word ÒawakeningÓ as if she has just coined
it!
She is also not a very good
actress. For example, when she
wants to feign enthusiasm, she comes across as angry rather than excited. But volume cannot compensate for
absence of clarity or meaning.
Like the core-teachings of
every other cult, and every other ÒchanneledÓ collection of words, the teaching
claims to be Òthe key to all that you seek.Ó This tends to comfort those who have run out of other
religious options. But they also
gratify those who can never get enough-- a demographic that marks many of
EstherÕs followers. For she
teaches the virtue and value of naked greed. This also gratifies a third group of spiritually unbalanced
people-- those who want to control everything.
ÒThe law of attraction is the most powerful law in the universe,Ó it is
claimed. It is stated, again,
rather ungramatically, as, ÒThat which is like unto itself is drawn.Ó Stated with clarity, Like attracts
like. That this is nothing but
recycled positive thinking from the 1950Õs appears to have escaped
attention. And this ÒattractionÓ is
applied to the world of materialism and greed which, as in other cultic ideas,
is the center. People do not
follow Esther Hicks because they want wisdom, Love, or spirituality; they
follow her because they want fatter wallets! This ÒattractionÓ has nothing to do with selfless, spiritual
Love. It is a mechanical, or, as
Esther says elsewhere, ÒmagneticÓ effect.
It has nothing to do with warmth, tenderness, kindness, or friendliness.
The Òsecond lawÓ is that of Òdeliberate creation.Ó This is where Esther starts to regress
into primitive magical thinking.
For this is nothing more than the childhood ÒSanta ClausÓ fantasy of
just asking, and receiving anything-- or better, everything-- that you
request. During the twentieth
century, this enormously, immensely popular idea has appeared in a hundred
different forms. It is literally
absurdly simple: You can have
whatever you want! Name it, and
claim it!
This ends instantly the
problem of having to solve your problems.
You do not have to work, to meditate, to reform and revise your
personality, even to learn. No
discipline is required, except that required to get into a self-centered mode
and work the ÒmagicÓ of Òcorrect thinking.Ó You are called upon to do nothing spiritual, to work on
relating to, or manifesting, the Lovemind deep within.
You do not have to be a
loving or kind person to do this.
You can be even a criminal, and it will work, because it is a purely
mechanical system. So, there is
nothing ÒspiritualÓ about it.
Predictably, these systems do not always attract the best, or brightest,
people. Believers burn with greed,
but not with the flame of Love. In
fact, at times, these systems attract the worst, the most greedy and
selfserving.
Almost all channelers speak in a combination of archaic English and
nonsense. They mistake obscurity
for profundity. If you cannot
understand a word they say, it is not because of their quirky obscurity. It is not because the average channeler
cannot manage to say the simplest thing clearly. Oh, no! It is
because what they are saying is so ÒdeepÓ!
Anyway, a channeler will never say clearly in ten words what she can say
obscurely in a hundred. As a
single example of dozens of the most obscure sentences, Esther says, ÒAll that
you are living is adding unto that which we are about.Ó Another: ÒAs the combination of that which you are and the
combination of that which we are which is ever changing comes together, we are
setting forth or launching new creation.Ó
False "pearls"
drop from the mouth of Esther. She
begins one teaching with, ÒBirds of a feather...Ó She also uses an Americanism when she talks about Ôbeating
up on yourself.Õ In another place,
she uses the phrase, Ôgoing through the motions.Õ These sound suspiciously American, and suspiciously
twenty-first century! Hardly the
wisdom of the ages!
Esther is terrified of illness. Stunningly, but commonly, among
positive thinkers, she has actually talked herself into believing the
incredible idea that people get sick because they talk about it! (Esther thinks that, to be forever
healthy, all that you have to do is not talk about sickness!) As in so many schools of shallow and
shoddy metaphysics, the ego is seriously overempowered. ÒNo matter how sick a body is, it can
achieve perfect health.Ó Then, she
meanders off into fantasy-land.
But the ego simply does not have this kind of control. Neither does its parent, the conscious
mind. It is just not that
powerful.
Of course, childish magical thinking is very attractive to the Òinner child.Ó EstherÕs message that you can be instantly, effortlessly, perfectly healthy appeals to the sick; that of instant wealth to the poor; and that of instant weight-loss to the overweight. But you will never grow up as a spiritual adult if you are letting your Òinner childÓ make your decisions or guide your life! The archetype of the Ògenie in a bottleÓ is the oldest, most powerful, and most attractive, of archetypal fantasies. But no matter how much you affirm or pretend, the conscious mind cannot control the world. It has never been demonstrated that the conscious mind has any control over the structures or activities of any physical thing. (The world is created by the much more powerful Unconscious.)
***End of Part II.***
*****
*****
I BELIEVE, by Brian Tracy, sent in by Chris Finer
I believe that every person has within herself
inexhaustible reserves of potential that she has never even come close to
realizing.
I believe that each person has far more intelligence than she has ever
used.
I believe that each person is more creative than he or she has ever
imagined.
I believe the greatest achievements of your life lie ahead of you.
I believe the happiest moments of your life are yet to come.
I believe the greatest successes you will ever attain are still waiting
for you on the road ahead.
And, I believe through learning and application of what you learn, you
can solve any problem, overcome any obstacle, and achieve any goal that you can
set for yourself.
*****
*****
GASPS, SNORTS, AND CHUCKLES: MORE HUMORTHERAPY
The twenty-oh-six darwin awards, Sent in by Ty Scharrer
These awards are given each year to bestow upon (the remains
or estate of)
that individual, who through single-minded
self-sacrifice, has done the
most to remove undesirable elements from the human gene pool. until these events, these same people
were walking the streets like normal
people.
Fifth RUNNER-UP: Goes to a San Anselmo, California man who
died when he hit a
lift tower at the Mammoth Mountain ski area while riding
down the slope on
a foam pad.
Twenty-two-year old David Hubal was pronounced dead at Central Mammoth Hospital.
The accident occurred about three
a.m. The Mono County Sheriff's
Department said. Hubal and his friends apparently had hiked up a ski run
called Stump
Alley and undid some yellow foam protectors from lift towers,
said Lt. Mike Donnelly of the Mammoth Lakes Police
Department. The pads are
used to protect skiers who might hit towers. The group apparently used the
pads to slide down the ski slope and Hubal crashed into a
tower. It has
since been investigated and determined the tower he hit was
the one with its
pad removed.
***
Fourth
RUNNER-UP: Goes to Robert Puelo, 32, who was apparently being disorderly in
a St. Louismarket. When the clerk threatened to call the police, Puelo
grabbed a hot dog, shoved it into his mouth and walked out without paying.
Police found him unconscious in front of the store. Paramedics removed the
six-inch wiener from his throat where it had choked him to
death.
***
Third RUNNER-UP: Goes to poacher Marino Malerba of Spain,
who shot a stag
standing above him on an overhanging rock and was killed
instantly when it
fell on him.
***
Second RUNNER-UP: "Man loses face at party." A man at a West Virginia party
(probably related to the winner last year, a man in Arkansas who used
the .22 bullet to replace the fuse in his pickup truck)
popped a blasting cap
into his mouth and bit down, triggering an explosion that
blew off his lips,
teeth, and tongue.
Jerry Stromyer, 24, of Kincaid, bit the blasting cap as a prank
during the party late Tuesday
night, said Cpl. M.D. Payne. "Another man had it in an
aquarium hooked to a battery and was trying to explode it. It wouldn't go off; and this guy said, "I'll
show you how to set it off." He
put it into his mouth, bit down, and it blew all his teeth out and his lips and
tongue off. Stromyer was listed in
guarded condition
Wednesday with extensive facial injuries, according to a
spokesperson at
Charleston Area Medical Division. "I just can't imagine anyone doing
something like that," Payne said.
***
First RUNNER-UP: Doctors at Portland University Hospital
said that an Oregon man
shot through the skull by a hunting arrow is lucky to be
alive and will be
released soon from the hospital. Tony Roberts, 25, lost his right eye last weekend during an
initiation into a men's rafting
club, Mountain Men Anonymous
(probably known now as Stupid Mountain
Men Anonymous) in Grants Pass, Oregon. A friend tried to shoot a
beer can off his head, but the arrow entered Robert's right
eye. Doctors said that had the arrow gone 1
millimeter to the left, a major
blood vessel would have been cut, and Roberts would have died instantly. Neurosurgeon, Doctor Johnny Delashaw, at
the University Hospital in Portland, said the arrow went through 8 to 10 inches
of brain with the tip protruding
at the rear of his skull, yet somehow managed to miss all major blood vessels. Delashaw also said that had
Roberts tried to pull the arrow out on his own
he surely would have killed himself. Roberts admitted afterwards that he and
his friends had been drinking that afternoon. Said Roberts, "I feel so dumb
about this." No charges have been filed, but the Josephine County district
attorney's office said the initiation stunt is under investigation.
***
Now, THIS YEAR'S WINNER: The late John Pernicky and his friend, the late Sal Hawkins,
of the great state of Washington, decided to attend a local Metallica concert at the George Washington amphitheater. Having no tickets (but having had 18
beers between them), they thought it would be easy to "hop" over the Nine-foot fence and sneak into the show.
They pulled their pickup truck
over to the fence and the plan was for Mr. Pernicky, who was 100 pounds heavier than Mr. Hawkins, to hop
the fence and
then assist his friend over.
Unfortunately for the late Mr. Pernicky, there was a 30-foot drop on the
other side of the fence. Having heaved himself over, he found himself
crashing through a tree. His fall was abruptly halted (and broken, along
with his arm) by a large branch that snagged him by his shorts. Dangling from the tree with a broken arm, he looked down and saw some bushes below him. Possibly figuring that the bushes would break his fall, he removed his pocket knife and proceeded to cut away his shorts to free himself from the tree.
Finally free, Mr. Pernicky crashed into holly bushes. The sharp leaves
scratched his ENTIRE body; and now, without the protection
of his shorts, a
holly branch penetrated his rectum. To make matters worse, upon landing, his
pocket knife penetrated his thigh. Hawkins, seeing his friend in considerable pain and agony,
threw him a rope and tried to pull
him to safety by tying the rope to the pickup truck and slowly driving away. However, in his drunken haste, he put the truck into
reverse and crashed through the fence, landing on his friend
and killing
him. Police
arrived to find the crashed pickup with its driver thrown 100 feet
from the truck and dead at the scene from massive internal
injuries. Upon
moving the truck, they found John under it half-naked,
scratches on his
body, a holly stick in his rectum, a knife in his thigh, and
his shorts
dangling from a tree branch 25 feet in the air.
***
IF MEN RAN THE
WORLD, sent in by Ty Scharrer
1) Birth control would come in ale or lager.***2) Garbage would take itself out.***
3) Regis and Kathy Lee would be chained to a cement mixer
and pushed off the
Golden Gate Bridge for the most lucrative pay-per-view event in world History.***4) Instead of "beer-belly", you'd get "beer-biceps".***5) Tanks would be far easier to rent.***6) When a cop gave you a ticket, every smart-aleck answer you responded with would actually reduce your fine. As in:
Cop: "You know how fast you were going?"
You: "All
I know is, I was spilling my beer all over the place."
Cop: "Nice
one, That's $10.00 off".
7) People would never talk about how fresh they felt.***8)
Daisy Duke shorts would never go out of style again.***9) Telephones would cut
off after 30 seconds of conversation.***10) It would BE perfectly legal to
steal a sports car, as long as you returned it the following day with a full
tank of gas.***11) The funniest guy in the office would get to be CEO.
***
THINGS THAT I'VE LEARNED FROM MY BOYS, SENT IN BY Ty
Scharrer
1) A king size waterbed holds enough water to fill a 2000
sq. ft. house 4
inches deep.***2) A 3-year old boy's voice is louder than
200 adults in a crowded
restaurant.***3) If you hook a dog leash over a ceiling fan,
the motor is not strong
enough to rotate a 42 pound Boy wearing Batman underwear and
a Superman
cape. It is
strong enough, however, if tied to a paint can, to spread paint
on all four walls of a 20x20 ft. room.***4) You should not throw baseballs up when the ceiling fan is on. When using a ceiling fan as a bat, you have to throw the ball up a few times before you get a hit. A ceiling fan can hit a baseball a long way.***5) The glass in windows (even double-pane) doesn't stop a baseball hit by a ceiling fan.***6) "Play-dough" and "microwave" should not be used in the same sentence.***7) No matter how much Jell-O you put in a swimming pool, you still can't walk on water.***8) Garbage bags do not make good parachutes.
*****
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IMPORTANT
REMINDERS, sent in by Debbie Lucas
This could probably
be taped to your bathroom mirror where you could read it every day. You might not realize it, but it's 100%
true.
1. There are at least two
people in this world that you would die for.***2. At least 15
people in this world love you in some way.***3. The only reason anyone would
ever hate you is because she wants to be just like you.***4. A smile
from you can bring happiness to anyone, even if she doesn't like you.***5.
Every night, SOMEONE thinks about you before she/he goes to sleep.***6. You
mean the world to someone.***7. You are special and unique.***8. Someone that
you don't even know exists might love you.***9. When you make the biggest
mistake ever, something good comes from it.***10. When you think the world has
turned its back on you take another look.***11. Always remember the
compliments you received. Forget
about the rude remarks.
So...........If you are a loving friend, Always
remember: When life hands you
Lemons, ask for tequila and salt and call me over! Good friends are like stars. You don't always see them, but you know they are always
there. I would rather have one
rose and a kind word from a friend while I'm here than a whole truck load when
I'm gone!
*****
*****
LOVELETTERS FROM BUDS, PALS, AND FRIENDS
From Brenda Lee:
Good afternoon, shi.
ÉUnfortunately, this will have to be brief, but I wanted to
get back to you.
Yes, we have had too much snow lately. I am looking at 6' snow piles that have
been here since mid-December. When
we flew over Colorado by airplane, the ground was solid white. You couldn't see a patch of dirt. It was rather impressive.
Here is something you may print in your Lovelight
Newsletter. Feel free to edit down
if necessary:
My mother joined the JehovahÕs Witnesses when I was nine,
and I was subsequently drafted into membership. At ten, I was asked to commit my life to this man-made
organization, which I did through baptism. For the next eight years I experienced emotional and
physical abuse; and [I] saw the lack of love (shunning, hypocrisy, fanaticism
and arrogance). The isolation and
persecution I was expected to endure as a JW child became almost
unbearable. I considered suicide
and even homicide at one point as a means to escape. I knew I could never raise my future child someday under
these circumstances. How could I
inflict this agony upon another human being? For nearly a decade, I wasn't permitted to be part of
"the world," nor did I consider myself a JehovahÕs Witness. I felt utterly alone.
However, through self-love and a dash of tenacity, I hung in
there and escaped the clutches of this cult when I was eighteen years old. As a consequence, my family shunned me
because I chose not to be a JehovahÕs Witness. They haven't spoken to me for 25 years. The cult's rules haven't affected only
me. My sister and brother have
never even met my son, who is now sixteen.
Today, IÕm forty-four, and I cannot describe the joy I have
in my heart. I've learned how to
love unconditionally through the "conditional love" that I
experienced as a child. I've
learned to forgive. And I've
learned that family and loved ones are the most precious things we have in this
worldÉ. My goal is to help others
find their path out of dysfunctional cult environments.
In January 2006 my book, "Out of the Cocoon: A Young Woman's Courageous Flight from the Grip of a Religious Cult" was published. This past summer I produced a series of seminars for Colorado Free University called, "Understanding Cults: What You Need to Know to Heal Yourself and Protect Your Family." I also write/edit a monthly newsletter for former JehovahÕs Witnesses and other cult survivors; [I] encourage articles and stories of survival from my readers. If you'd like to contact me directly, go to my website at www.outofthecocoon.net. There you can listen to my radio interviews and/or receive educational material that might help you in your own personal journey to truth, love and light.
***
From Kathy Rice:
Dearest Shi,
Thank You for opening up those sayings to the deeper meaning
within. It was enlightening, comforting, and motivating all at the same
time.
I agree the time to follow one of our greatest teachers
ever, Jesus, is endlessly, timelessly NOW! And by keeping our base feeling for every thought, word, and
deed coming from the Pure Love within allows us, even in the toughest times, to
focus on what is right and true. It doesnÕt matter whether itÕs the president,
the pope, or any other. If it doesnÕt
match what the Love within knows without question, then it does not serve us.
Life is blossoming here. Thank you, Richard. Thank you, Kenny. And above all, thank You, God!
I Love and Miss You Both,
Mega Bunches of Love, Kisses, Hugs & Blessings,
***
From Steven McDaniel:
Hi my brother,
I have been curling up like a bear in a den, of late, reading one of my
favorite poets, Mary Oliver. She is a Pulitzer Prize winning writer-- and
for very good reason: Her writing allows for the recognition that good
writers with powerful insights glide into the soul with such grace to the peaks
of the human condition; to speak out beyond our mere words with a presence of Love.
Enclosed is a very special piece to share, as I took the time to type from her
book, Winter Hours. Amazing when someone can speak so eloquently for some
of our deepest feelings.
ÉSo many secrets that unfold in
time within me that I can't know, or care to know anymore. I just try to
cherish the time to live a beautiful life. Utmost, it is such a gift as I
work to cleanse the eyes of perception into the open fields of wind and grace
to see with the one, and only, heart. Finally, I feel strong enough now
to head to the cabin and manage those beautiful routine chores I never take for
granted and the little things that teach me simplicity and wonder. I am
planning on leaving in a few days. You are so right about mystics needing
to be with each other-- especially you and I need that time. I hope when
I return we can come together and laugh again and poke fun at King George or
whatever else our hearts delight. Read some poetry, or listen to the wind
flutter the bare trees like magnificent, stationary wings.
Love to you and Ada,
***
And now, Mary Oliver.......
"I could not be a poet without the natural world. Someone else
could. But not me. For me the door to the woods is the door to the
temple. Under the trees, along the pale slopes of sand, I walk in an
ascendant relationship to rapture, and with words I celebrate this rapture.
I see, and dote upon, the manifest.
Persons environmentally inclined have suggested that I am one of them. I
don't argue with them, but it's not quite a fit. My work doesn't document
any of the sane and learned arguments for saving, healing, and protecting the
earth for our existence. What I write begins and ends with the act of
noticing and cherishing, and it neither begins nor ends with the human
world. Maybe I would be an environmentalist if I thought about it.
But I don't. I don't think in terms of the all, the network of our needs
and our misdeeds, the interrelationship of our lives and the lives of all
else. On the contrary, I am forever just going out for a walk and
tripping over the root, or the petal, of some trivia, then seeing it as if in a
second sight, as emblematic. By no means is this a unique way to
live but is, rather, the path found by all who are mystically inclined."
The Journey
One day you finally knew
what you had to do, and began,
though the voices around you
kept shouting
their bad advice--
though the whole house
began to tremble
and you felt the old tug
at your ankles.
"Mend my life!"
each voice cried.
But you didn't stop.
You knew what you had to do,
though the wind pried
with its stiff fingers
at the very foundations,
though their melancholy
was terrible.
It was already late
enough, and a wild night,
and the road full of fallen
branches and stones.
But little by little,
as you left their voices behind,
the stars began to burn
through the sheets of clouds,
and there was a new voice
which you slowly
recognized as your own,
that kept you company
as you strode deeper and deeper
into the world,
determined to do
the only thing you could do--
determined to save
the only life you could save.--Mary Oliver
***
From Loretta Carrier:
Richard,
Thanks for sending this. I have not bought from
Wal-Mart in many years, and don't intend to change. I have even seen a
couple of PBS programs about them, showing how they rip off small communities
by making them promise to not charge them property tax for 10 years, say, and
then at the end of the 10-year period, pulling up stakes and leaving, after
they have driven out all the smaller businesses, and deprived the state and
local governments of the tax dollars. One former manager said they have a
huge binder full of info about government programs, private programs and such
that employees can avail themselves of, which will help them feed their
families. Things like cheese give-aways, free clothing, etc.
Wal-Mart denies having such a binder of info, but it is obvious they are
lying. No other retailer has so many people trying to get food stamps,
free food and clothing, etc. They also have a habit of going into a
community with a regular-sized store, and then after 10 years or so, moving to
a new location with a super store. This leaves the original store vacant
for some time, since there are few companies that need a space that
large. I am glad to hear that they are having financial trouble.
But, to be honest, if Americans weren't so eager to get merchandise for practically nothing, they might not be doing that. They get most of their stuff from China, which has a miserable record of human rights, and who recently has shown that they have the capability of destroying our satellites, which could cripple this country. And then, [they] pay their people nothing. [This is] in order to satisfy the stockholders by selling at such a low price that people flock in there in throngs. As long as people continue to buy from them, they will not change. Maybe that is changing now! We can only hope.
***
From Ty Scharrer:
To shi, from Ty:
Last year, I replaced every light bulb in our Michigan and
Florida homes with the low wattage
small fluorescents. I don't
know why environmentalists haven't
been shouting the merits of the small fluorescents from the housetops to
everyone who owns a home or business. The replacement bulbs only use 13 watts of power
verses 60 watts from the old bulbs.
I still believe the electric generation companies don't want
everyone to use those bulbs,
content to keep rolling in the money for high power uses by customers.
To keep warm during the occasional cold nights we have in
central Florida, I turn off my
furnace which heats my entire house.
I close the bedroom door and close the bathroom door which also opens to
the bedroom, before turning on an electric oil filled radiator heater. I have the heater on a timer, setting
the heater to 600 watts. The
heater comes on for only a half hour, three times a night, keeping the bedroom
in the low sixties. For
added protection, I put a smoke detector in our bedroom. In the morning, unless it is
terribly cold in the house, I open our curtains, exposing our patio door which
allows the sun to shine in, warming up the house. There is no reason to heat an entire house when energy
is only needed in one room.
I think it is obscene how Americans waste energy. Shopping centers are cold enough
to wear coats in the summertime, when they could be set at 78 degrees with air
conditioning. In the winter
months, shopping centers are warm enoughÉ Yes, lets tout the merits of saving
energy!
It's supposed to be 83 degrees today. The warm sun feels good!
***
From Mark Franzen:
Any thoughts on this article Richard?
A Brief History of the King James Bible
A BRIEF HISTORY OF THE KING JAMES BIBLE, by Laurence Vance, sent in by Mark Franzen
As the reign of Elizabeth
(1558-1603) was coming to a close, we find a draft for an act of Parliament for
a new version of the Bible: "An act for the reducing of diversities of
bibles now extant in the English tongue to one settled vulgar translated from
the original." The Bishops'
Bible of 1568É was still rivaled by the Geneva Bible. Nothing ever became of this draft during
the reign of Elizabeth, who died in 1603, and was succeeded by James 1,É James was at that time James VI of
Scotland,É He was born during the period between the Geneva and the Bishops'
Bible.
One of the first things done by the
new king was the calling of the Hampton Court Conference inÉ 1604 "for the
hearing, and for the determining, things pretended to be amiss in the
church." Here were assembled
bishops, clergymen, and professors, along with four Puritan divines, to consider
the complaints of the Puritans. Although
Bible revision was not on the agenda, the Puritan president of Corpus Christi
College, John Reynolds, "moved his Majesty, that there might be a new
translation of the Bible, because those which were allowed in the reigns of
Henry the eighth, and Edward the sixth, were corrupt and not answerable to the
truth of the Original."
The king rejoined that he "could never yet see a Bible
well translated in English; but I think that, of all, that of Geneva is the
worst. I wish some special pains
were taken for an uniform translation, which should be done by the best learned
men in both Universities, then reviewed by the Bishops, presented to the Privy
Council, lastly ratified by the Royal authority,É"
Accordingly, a resolution came forth:
"That a translation be made of
the whole Bible, as consonant as can be to the original Hebrew and Greek;É and
only to be used in all churches of EnglandÉ"
The next step was the actual
selection of the men who were to perform the work. In July of 1604, James wroteÉ
that he had "appointed certain learned men, to the number of four and
fifty, for the translating of the Bible." These men were the best biblical scholars and linguists of
their day. In the "Preface"
to their completed work it is further stated that "there were many chosenÉ
that sought the truth rather than their own praise." Again, they É "were thought to come to the work, learned, not to
learn." Other men were sought
out, according to James, "so that ourÉ translation may have the helpÉ of
all our principal learned men within this our kingdom."
ÉOnly forty-seven [began]É translationÉ. Ten at Westminster were assigned Genesis through 2 Kings; seven had Romans through Jude. At Cambridge, eight worked on 1 Chronicles through Ecclesiastes, while seven others handled the Apocrypha. Oxford employed seven to translate Isaiah through Malachi; eight occupied themselves with the Gospels, Acts, and Revelation.
Fifteen general rules were advanced for the guidance of the translators: 1. The ordinary BibleÉ Bishops' Bible, to be followed, and as little altered as the Truth of the original will permit.***2. The names of theÉ Holy Writers, with the other Names of the Text, to be retained, as nigh as may be, accordingly as they were vulgarly used.***3. The Old Ecclesiastical Words to be kept, viz. the Word "Church" not to be translated "Congregation" &c.***4. When a Word hath divers Significations, that to be kept which hath been most commonly used by the most of the Ancient Fathers,...***5. The Division of the Chapters to be altered, either not at all, or as little as may be,É***6. No Marginal Notes at all,É but only for the explanation of the Hebrew or Greek Words,É***7. Such Quotations of Places to be marginally set down as shall serve for the fit Reference of one Scripture to another.***8. EveryÉ ManÉ to take the same ChapterÉ and having translatedÉ themÉ all to meet together, confer what they have done, and agreeÉ.***9. As any one Company hath dispatched any one Book in this Manner they shall send it to the rest, to be considered of seriously and judiciously, for His Majesty is very careful in this Point.***10. If any CompanyÉ differ upon any Place, to send them Word thereof; note the Place, and withal send the Reasons, to which if they consent not, the Difference to be compounded at the general Meeting,É at the end of the Work.***11. When any Place of special Obscurity is doubted of, LettersÉ to send to any Learned ManÉ for his JudgementÉ
***12. Letters to be sent from every Bishop to the rest of
his Clergy, admonishing them of this Translation;É and toÉ charge as many
skilful in the Tongues; andÉ to send hisÉ Observations to the Company, either
at Westminster, Cambridge, or Oxford.***13. The Directors in each Company [are]
to be the Deans of Westminster, and Chester;É and the King's Professors in the
Hebrew or Greek in either University.***14. These translations to be used when
they agree better with the Text than the Bishops' Bible: Tyndale's, Matthew's,
Coverdale's, Whitchurch's, Geneva.***15. ÉThree or four of the most Ancient and
Grave Divines,É not employed in Translating, to be assignedÉ to be Overseers of
the Translations as well Hebrew as Greek,É
The work began to take shape in 1604 and progressed steadily.
The translators expressed their early thoughts in their preface as:
"Truly (good Christian Reader)
we never thought from the beginning, that we should need to make a new
Translation, nor yet to make of a bad one a good one,...but to make a good one
better, or out of many good ones, one principal good one, not justly to be
excepted against, that hath been our endeavor."
They had at their disposal "all
the previous English translations to which they did not disdain:
"We are so far off from
condemning any of their labors that travailed before us in this kind,É that we
acknowledge them to have been raised up of God,É
And,É they had a multitude of
sourcesÉ: "Neither did we think much to consult the Translators or
Commentators, Chaldee, Hebrew, Syrian, Greek, or Latin, no nor the Spanish,
French, Italian, or Dutch." The
Greek editions of Erasmus, Stephanus, and Beza were all accessible, as were the
Complutensian and Antwerp Polyglots, and the Latin translations of Pagninus,
Termellius, and Beza.
Four years were spent on the preliminary translation by the
six groups. The translators were exacting and particular in their work, as
related in their preface:
Neither did we disdain to revise
that which we had done, and to bring back to the anvil that which we had
hammered: but having and using as great helps as were needful,É we haveÉ
brought the work to that pass that you see."
Nine months were spent at Stationers' Hall in London for review and revision of the work by two men each from the Westminster, Cambridge, and Oxford companies. The final revision was then completed by Myles Smith and Thomas BilsonÉ
The completed work was issued in 1611É
The King James Bible was, in its first
editions, even larger than the Great Bible. It was printed in black letters with small italicized Roman
type to represent those words not in the original languages.
A dedicatory epistle to King James,É
recalled the King's desire that "there should be one more exact
Translation of the Holy Scriptures into the English tongue." The
translators expressed that they were "poor instruments to make GOD'S holy
Truth to be yet more and more known" while at the same time recognizing
that "Popish persons" sought to keep the people "in ignorance
and darkness."
The Authorized Version, as it came
to be called, went through several editions and revisions. Two notable editions
were that of 1629,É and that of 1638 which was assisted by John Bois and Samuel
Ward, two of the original translators. In 1657, the Parliament considered
another revision, but it came to naught. The most important editions were those of the 1762 Cambridge
revision by Thomas Paris, and the 1769 Oxford revision by Benjamin Blayney. One of the earliest concordances was A
Concordance to the Bible of the Last Translation, by John Down-ham, affixed to
a printing of 1632.
The Authorized Version eclipsed all previous versions of the
Bible. The Geneva Bible was last printed in 1644, but the notes continued to be
published with the King James text. Subsequent versions of the Bible were likewise eclipsed, for
the Authorized Version was "the Bible" until the advent of the
Revised Version and ensuing modern translations. It is still accepted as such by its defendersÉ Alexander
Geddes (d. 1802), a Roman Catholic priest, who in 1792 issued the first colume
of his own translation of the Bible, accordingly paid tribute to the Bible of
his time:
"The highest eulogiums have
been made on the translation of James the First, both by our own writers and by
foreigners. And, indeed, if accuracy, fidelity, and the strictest attention to
the letter of the text, be supposed to constitute the qualities of an excellent
version, this of all versions, must, in general, be accounted the most
excellent. Every sentence, every
word, every syllable, every letter and point, seem to have been weighed with
the nicest exactitude; and expressed, either in the text, or margin, with the
greatest precision."
As to whether the Authorized Version was ever officially
"authorized," Brooke Westcott, one of the members of the committee that
produced the Revised Version, and the editor, with Fenton Hort, of an edition
of the Greek New Testament, stated that:
"From the middle of the
seventeenth century, the King's Bible has been the acknowledged Bible of the
English-speaking nations throughout the world simply because it is the best. A revision which embodied the ripe
fruits of nearly a century of labour, and appealed to the religious instinct of
a great Christian people, gained by its own internal character a vital
authority which could never have been secured by any edict of sovereign rulers.
This article was taken from the
book A Brief History of English Bible Translations by Dr. Laurence M. Vance.
Dr. Laurence M. Vance's
Publications are available from:
Vance
Publications
P.O. Box 11781
Pensacola, FL 32524
850-474-1626
*****
*****
TOWARD THE INFINITE LIGHT: POETRY, PART I, by Steven
McDaniel
The twentieth century brought us an array of powerful poets that stands unequaled in any other time. [This was the result of] the deep, shadow-bruise of two world wars, the perceived threat of industrialization, the control by the rich over the mechanical clones of the working class, and the specter of the atomic age. All fed the yearning souls of many writers. The awful desolation and disillusionment of the times pushed artists to reach higher toward the divinity of a concrete meaning in our lives. This unusually intense movement toward the sanctity of order amidst such chaos is unprecedented in history as much as the pronounced acceleration of information in this age of computers and digital technology.
When we think of the royalty of poetry who lived in the 1900Õs, we naturally migrate to T.S. Eliot, William Butler Yeats, and a few others. The early Eliot warned of the hollow, habitual thinking, industrial Man that humanity was fast becoming. He warned of the illusion of the lost and found, and its ultimate desolation, and he paved the way toward a true perception as to what is authentic in our lives. Later, the elder Eliot came to the river of light and drank like a wise Buddha negating knowledge for actual being. Easily, we also think of Yeats and his incredible blast of presences and magic, as some of the wonderful gifts he gave his readers. Many of his works are truly breathless with visions and spirits. Then there is the old sage of insight, Wallace Stevens, whose metaphors of light inspire one to see without blinders. And donÕt forget Dylan Thomas whose power of paradox and contradiction, fused with vision and biblical oratory, inspired an entire generation of poets to read poetry aloud. His command of the English language was nothing less than blazing transcendent bodies of artistic works that have no parallel. And the poems were as melodious and rolling as the hills of Wales where he spent much of his life. On and on, great poets lifted like cream to the top of humanityÕs milk. Astounding poets, such as Ezra Pound, William Carlos Williams, D.H. Lawrence, Pablo Neruda, Kenneth Patchens, Gregory Corso, Allen Ginsburg, Robert Frost, Carl Sandburg, Garcia Lorca and others graced the age. At their best, the voices resound like a chorus of similar, uplifting music. But there was one poet, one incredible, magnificent writer who wrote, much of the time, as if he were writing from the hand of God-- one poet who stands out much like Beethoven stands out in the nineteenth century: his name is Ranier Maria Rilke.
Rilke is the finest of the German language poets of recent times and,
perhaps, he is the greatest poet of the twentieth century. Many scholars
and renowned poets share this view that some might consider, certainly, an
ostentatious opinion. But the understanding that Rilke stands supreme is
for good reason. No other poet went to the depths of solitude or was able
to put the sacred muse into words as deeply as Rilke. He is the poet of
poets and a true conduit of the immense silences of light. His
poetry is full of trap doors that open to the edgeless sky. Immortally,
beyond the senses, Rilke mapped the way out of the senses into the throes of
intuition and truth. His work, like the spirit of life itself, is a
dramatic, creative act, and leaves one standing in awe and surprise time and
time again. His poetry teaches mysticism and allows readers to behold his
intimate journey as their own in grace and poetic beauty. RilkeÕs works,
quite simply, are remarkable in their expressions of the scope and depths of
the inexpressible.
Rilke was born in Prague in 1875. He spent time in Germany and many other
countries, and although he wrote in German he considered himself, vehemently,
an Austrian and detested being called German. Because Rilke, as a child
and an adult, moved often he never felt a certainty about a real home.
This probably helped fuel a deeper search in his soul for an ultimate home, or
place of no place, far beyond the external world of measures he and other great
writers and mystics have alluded to with their works. His father was a failed
military career man and subsequent railway official and his mother was an
adoring but over-bearing primary figure in his early life. Rilke became a
man of deep introspection and solitude. His spiritual affections led him
to live many years mostly alone and in remote settings in Russia and
elsewhere. Friends and patrons offered up many of these secluded settings
whereas he ultimately left his wife and daughter and other close relationships,
although he regularly maintained correspondence with a number of literary
interests. World War 1 affected Rilke deeply, as it did many artists of the
times, and he seemed to leave the outside world for the solitude of his inner
reflections. He hated being trapped in Germany, by circumstance,
throughout much of the war.
A big turning point came early in RilkeÕs life when he was a secretary for the famous French sculptor, Auguste Rodin. He was guided by Rodin who told him that to be a better poet he must find God in the simple things of the world, to write more about the vast in the small, and find an empirical union with the object. In some ways, he began a new, spiritual quest by abandoning his inspirational emotions for the higher art of universal meaning and truth in the things of the world. Rodin was instrumental in his example of, every day, making his world with the tools of discipline, hard work and introspection. RilkeÕs subsequent collection, New Poems attested to this rising transformation within him. Another instrumental influence on RilkeÕs life was his first love affair with the older, Lou Andreas Salome, a leading, world therapist and protŽgŽ of Freud. Her mentoring of Rilke with her deep insights of human analysis helped set the stage for the blossoming of this remarkable poet.
Many of RilkeÕs works were created with amazing bursts of creative
energy. Then, there would be long lulls as if a storm were brewing a
flood. Time and time again Rilke would stir into a blazing lightening-rod
of divine insight where he would write most of his collections in relatively
small durations measured in days. A couple of exceptions include The Book
of Images written over a period of about eight years (1899-1907) and the
incredible Duino Elegies that took twelve years to write. Yet, most of
the second half of the Duino Elegies and the entire writing of The Sonnets to
Orpheus were ÒdictatedÓ, as Rilke called it, in a matter of weeks. These
are two of the most amazing poetry collections ever written, as Rilke seemed to
transcribe the poems from a deep, mystical state. RilkeÕs very first
larger collection of poems, known as A Book for the Hours of Prayer (Bly) and
more recently published as Love Poems To God (Barrows) shows the magnitude of
the man as a young poet.
ÒI love the dark hours of my being in which
my senses drop into the deep,Ó and ÒIn the silent,
sometimes hardly moving times when something
is coming near, I want to be with those who know
secret things or else alone.Ó
Other Rilke works include the prose writings of The Lay of the Love and Death
of Cornet Rilke, The Notebooks of Malte Laurids Brigge (his only novel) and
others. His Letters To A Young Poet is a prose classic and a must-read for
aspiring poets.
Rilke has been criticized for being too introverted, or inward, as the trend of
the 20th century leaned to the extraverted insights unleashed from the outer
experience. And even though Neruda was critical of RilkeÕs complete
aversion to the politics of the world, he later recanted, as have most critics.
After all, Rilke was dealing with a higher politics of experience, revelations
and awakening, and many on levels that requires its readers to be as deep as
the writer in order to really understand the works. But this is true of
all poets. A poet is only as good as his audience. But RilkeÕs work
is much too amazing for any intelligent, adverse criticism for he speaks too
eloquently to the inward silence in us all.
Major translations of RilkeÕs works include various editions by Edward Snow,
Robert Bly, Franz Wright, Stephen Mitchell, and others. I highly
recommend, Ahead of All Parting: The Selected Poetry and Prose of Rainer Maria
Rilke by Mitchell as a companion book for all poets and true lovers of
poetry. This collection includes the complete Duino Elegies and Sonnets
To Orpheus, and other selections.
Personally, I feel the The Duino Elegies is RilkeÕs greatest works. It
reads like many poems contained in one and it is a movement inside and toward
spiritual realization on a scale so extremely rare in poetry. The
collection is, truly, a most solemn prayer encompassing a vision of the unseen
beauty behind all beauties. Because of the scope of this work, unprecedented
except for the writings of perhaps, Wordsworth, Blake, and Whitman, I am going
to give an unusual, succinct and highly edited account of the ten elegies. I
urge you to read, or re-read this manÕs work in its entirety. Please do
not rob yourself any further of the best of the best poetry ever written.
In hopes of inspiring those who are not very familiar with Rilke, and for those
looking for deeper insights not previously revealed, I begin a most audacious
attempt to bring some light upon this great body of poems. So, we begin .
. . toward the infinite light.
The first of the ten elegies begins with Rilke asking ÒWho, if I cried out,
would hear me among the angelsÕ hierarchies?Ó He goes on to write further
in the stanza, ÒI would be consumed in that overwhelming existence. For
beauty is nothing but the beginning of terror . . . and we are awed because it
serenely disdains to annihilate us.Ó Immediately, Rilke surrounds
us with a great truth: that the power of the unseen, our creator and destroyer,
is our paramount beauty and source. To be our beauty and our
annihilation, as one power, leaves us with nothing less than awe, wonder, and a
startling sense of fear in our observations. Rilke moves on to deep insights
about what animals know (he dances in and out of these themes in much of his
works) and what we can learn from them. He speaks of our longing for
understanding, for the immortal life beyond the living, and our seeing beyond
death with praise for the simple light of things. And he reveals how
there is a great height and inspiration in the loss of a beloved that allows us
to go far beyond the metaphors of our lives, and to find the truth of love
with, ultimately, no object. He implores us to embrace our death and
sufferings as necessary and beautiful for they direct us to God, the source of
all beauty. ÒVoices. Voices. Listen, my heart, as only saints
have listened, until the gigantic call lifted them off the ground.Ó Rilke
invites us, Ò To listen to the voice of the wind and the ceaseless message that
forms itself out of silence. It is a murmuring toward you now from those
who died young.Ó On he writes, relentless in his haunting pursuit, ÒWe
for whom grief is so often the source of our spiritÕs growth . . . could we exist
without them?Ó Yes, those who died young, ÒCarried off no longer needing
us . . .weaned from earthÕs sorrows and joys, as gently as children.Ó
This and much more in just his first elegy!
Throughout the Duino Elegies, Rilke talks of angels and to the angels. In
the Second Elegy he chants, then urges, almost pleading, ÒBut if the archangel,
perilous, from behind the stars took even one step down toward us: our own
heart, beating higher and higher would beat us to death. Who are
you?Ó Rilke implores this invisible presence to reveal itself although it
has the power to annihilate us with its mere presence, as it must for us to be
our truth. He goes on to lament and rejoice that image and world comes
and goes as we, too, vanish as flames into a bigger light. ÒWhen moved by
deep feeling, (we) evaporate.Ó Rilke mourns, and yet, rejoices in
his catharsis, that ÒEverything it seems wants to hide usÓ from our realization
of truth, and he begs us to prove our truth of being. ÒYou hold each
other. Where is your proof?Õ He takes us to what never
vanishes; yet it is unseen and cannot be proven by the transitory image of
things, but by its invisible presence of a feeling within. This is the
inner union of life and death, of all that disappears into the infinite
light. It is the light of our souls. Not as the narcissistic rant
of reductionism into nothingness, but of the unending life-energy at the end of
the organic, living tunnel, of the absolute everything in presence,
understanding and grace.